The once-disquieting, ever-dependably crude Self seems content for the moment to chum out hackneyed, no-brainer fiction, judging by his last story collection (Tough. Tough Toys for Tough, Tough Boys, 1999, etc.) as well as this novella—the sophomoric study or a journalist seduced by the dark side of the media biz, copiously illustrated by Martin Rowson. Innocent Richard has come from an up-country newspaper to the glitz of a trendy London magazine. Too easily he finds his way to the Sealink Club, the watering hole for gossip columnists and other hacks like himself, and its inner circle, presided over by the all-powerful Bell, a superhack boasting a syndicated column, a TV show, and a radio talk program. Bell's all-flavors appetite for sex and all-night binges are legendary. Meanwhile, Richard has his eye on lovely Ursula, one of Bell's favorites, and does his best to make her notice him while keeping up the torrid pace of nightly debauchery that takes the group from the Sealink to opium dens and beyond. He finally persuades her to have lunch, and they establish a more normal relationship by day—even though she continues to ignore him by night. At the same time, the strain of his life in the fast lane takes a toll on Richard's job performance, and on his sanity, as he begins to see Bell's jaw-jutting visage everywhere, on billboards and on the faces of his fellow carousers. When at last Richard succeeds in arranging a night with Ursula alone, what starts as the fulfillment of his wildest dreams turns into a wit's-ending nightmare. Not much more than a piffle, although, to be fair, the story dies continue to develop themes handled masterfully in Self's earlier work.
Pub Date: Sept. 1, 1999
ISBN: 0-8021-3647-8
Page Count: 96
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1999
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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