Spiegelman's preference for masters of “cool clarity, sharpened perception, and a transparent style” is revealed in his own...
A wide-ranging collection of essays reflecting the septuagenarian author’s rejection of the more hysterical predictions of cultural doom.
Spiegelman (English/Southern Methodist Univ.; Seven Pleasures: Essays on Ordinary Happiness, 2009, etc.) believes that life is not “a dress rehearsal,” that the time we have on Earth is all that we will have, and that inhabiting the moment is vital. But the title of the book, however witty, is misleading. The author’s reflections on aging provide only the framework, not the essence, though he is uncommonly wise on the subject. Most engaging is “Talk,” in which he reflects on the performance art that is conversation and the brush strokes that are language. Free form at its best, with an intimacy connecting the give-and-take, conversation is not only the fundamental human art form, but also, in Spiegelman's view, the scaffolding of commerce and democracy. Yet speech, “our glory, is also our embarrassment and our shame” when the volume grows intrusive. As someone devoted to literature, the author’s sensibilities lean heavily toward the life of the mind and immersion in the arts, especially poetry, and at times he can come across as faintly effete. In matters of taste, he can be dismissive of predilections that are less aesthetically oriented. But he is unassailable in contemplating the glories of books and reading; the delusions (and gratifications) of nostalgia; the plague of noise; and the virtues of a silent, solitary study of a work of art. A regular contributor to the Wall Street Journal, the native Philadelphian was the longtime editor (1984-2016) of Southwest Review, living for 40 years in Dallas before his recent escape to Manhattan.
Spiegelman's preference for masters of “cool clarity, sharpened perception, and a transparent style” is revealed in his own writing, which is lucid and propulsive, opening portals to heightened enjoyment of the time we have.Pub Date: Sept. 6, 2016
ISBN: 978-0-374-26122-1
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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