The essays on art and artists are distinctive and interesting; everything else is pretty generic.
Essays and reviews by Whitbread Award–winning Boyd (Restless, 2006, etc.) showcase an itinerant sensibility and imagination.
The British author certainly covers a lot of territory in this bulky collection covering 25 years and “seven broad subjects: Life, Literature, Art, Africa, Film, Television and People and Places.” Regrettably, he frequently skims the surface of these subjects and appears uninterested in avoiding either clichés or redundancy. But some gems shine from the sludge. Under the heading “Life,” we find drearily predictable details about childhood years in Africa and boarding-school ordeals, as well as the first use of an annoying A-to-Z format Boyd unaccountably favors. But we also find a lively account of “The Eleven-Year War” between the author and a borderline-unscrupulous publisher. Moving on to “Literature,” Boyd deflates reputations he considers undeserved (Muriel Spark, Richard Yates) and applauds such favorites as William Golding, W.H. Auden and Evelyn Waugh (he’s written about Waugh incessantly and, often enough, incisively). The quality ranges from a banal essay on “The Short Story” to a trenchant appreciation of Dickens’s underrated comic masterpiece Martin Chuzzlewit. “Art,” the most interesting section, offers informative examinations of once-famous British painter Graham Sutherland and French masters Braque and Monet, as well as a nifty report on the farcical “Nat Tate” hoax perpetrated by Boyd himself. “Film and Television” gathers ho-hum celebrity profiles and reviews, yet Boyd sparkles in a knowledgeable assessment of the biopic Basquiat, whose eponymous subject seems to him “a sort of latter-day, low grade, Manhattan Faust.”
The essays on art and artists are distinctive and interesting; everything else is pretty generic.Pub Date: Nov. 1, 2007
ISBN: 978-1-59691-441-4
Page Count: 528
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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