An exceptional storyteller in fine form.
A London-based writer finds himself stuck in the webs of British intelligence.
It’s 1960 and Gabriel Dax is flying home to England after interviewing Congolese Prime Minister Patrice Lumumba when a series of “strange coincidences” begins. He’s upgraded to first class and a woman on the plane is reading one of his travel books. Back home he finds someone has left his flat in “careful disarray,” and the plane woman appears in his neighborhood. She soon reappears, says she’s from MI6, and asks him to “do us a small service.” The job goes smoothly except for the woman who plants heroin on Gabriel, which he discovers before the police do, and the CIA man who’s interested in the tape recording of the Lumumba interview because it reveals a direct link between the prime minister’s subsequent assassination and former U.S. President Dwight D. Eisenhower. Boyd sets his story not long after news of Guy Burgess and the other Cambridge Five double agents began to emerge. Dealing with such moles becomes a larger theme of the book and provides a nasty twist at the end. In this murky world, Gabriel is a kind of Evelyn Waugh naif caught in a Graham Greene plot, and one of the book’s pleasures is his entirely plausible resourcefulness as challenges grow more perilous. While Boyd craftily ramps up the complications for his reluctant spy, he also gives him a full life apart from intelligence errands. He has embarked on a new travel book, about major rivers. He’s enjoying great sex with a woman who doesn’t seem to demand much more. And he has begun therapy sessions for insomnia and dreams that recall when he was 6 and his house burned down, leaving his mother dead while he barely escaped. Boyd doesn’t quite weave all these strands into a neat little package, but it’s still a highly entertaining book that can easily bear a few loose ends.
An exceptional storyteller in fine form.Pub Date: Dec. 3, 2024
ISBN: 9780802164872
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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