Even if someone left the cake out in the rain, it’s delicious.
A novelist, a producer, and an actress confront their demons on and off a film set.
British author Boyd's 16th novel takes place in Brighton in 1968 and revolves around the making of a film called Emily Bracegirdle's Extremely Useful Ladder to the Moon. The titular trio consists of Elfrida Wing, an alcoholic novelist who hasn't written a book in a decade and whose marriage to the film's director is hanging by a thread; Talbot Kydd, the film's producer, a closeted gay man also in an unhappy marriage; and Anny Viklund, the young American actress playing Emily, who is sleeping with her hunky co-star and continually dosing herself in classic 1960s movie-star style from an abundant pharmacopeia of pills. In addition to these three, a slew of other interesting characters fills out the corners of the novel, giving it the feel of one of Robert Altman's high-spirited ensemble films of this era. Boyd deftly juggles serious and comedic elements, generally favoring the comic, as with Elfrida's many pathetic attempts to convince herself she's getting back on her game. Having been annoyed for most of her career at being compared to Virginia Woolf, she takes it in her head to write a novel based on Woolf's last day on Earth. Over and over she writes the first paragraph—Woolf wakes up, sees a shape the sun is making on the wall (a rhomboid? a parallelogram? a diamond?), has no idea it's the last morning of her life—at which point the author pours herself a glass of vodka to celebrate, and there goes that day. Another running joke involves Talbot's being tormented by the idiotic lyrics of the song "MacArthur Park," which seems to be playing on every radio in the country. His deeper torment regarding his sexuality is highlighted by the changing mores of the period, and he's also got real problems with his movie, which has to be constantly rewritten to work around problems created by its cast.
Even if someone left the cake out in the rain, it’s delicious.Pub Date: Jan. 19, 2021
ISBN: 978-0-593-31823-2
Page Count: 336
Publisher: Knopf
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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