Boyd’s latest has the irresistible charm of a vintage car that’s still eminently roadworthy. And it’s great fun.
A classy entertainment from the British virtuoso (Ordinary Thunderstorms, 2010, etc.)—a period caper that evolves into an adventure story of wartime counter-espionage.
A handsome young English actor has a sexual problem: He cannot ejaculate. Which is why Lysander Rief is in Vienna in the summer of 1913: He’s a patient of an English psychoanalyst with a crackpot theory, Parallelism. Lysander needs his problem cleared up before he marries his fiancée, the lovely leading lady Blanche Blondel. Soon enough, Lysander discovers that underneath Vienna’s decorum runs a “river of sex.” A fellow patient, Hettie Bull, seduces him, and to his delight Lysander performs well; hey, the theory works! Lysander enjoys trysts with the volatile Hettie, an English sculptor, until one day, to his astonishment, he is arrested on rape charges; Hettie has betrayed him to her menacing common-law husband. Military attachés at the British embassy bail him out, sheltering him and devising his escape. The actor improvises a disguise to leave Vienna which so impresses the attachés that a year later, now the Great War has begun, they recruit him to track down a high-placed traitor in the British war machine. Subterfuge has been a recurrent theme in Boyd’s work. Lysander’s mission entails a dangerous visit to the front, followed by a tricky confrontation with the traitor’s German contact in Geneva. Even in another outrageous disguise, Lysander is almost shot dead by another British agent due to a misunderstanding. Back in London, the intrigue becomes even denser. Boyd parodies the convolutions of the genre but retains its suspense, while that river of sex flows like the Thames. A contrite Hettie re-appears. Lysander enjoys himself with her before finding true fulfillment with Blanche, who has survived a Zeppelin attack, and dispatching the traitor with the help of his gay uncle (don’t tell the boss).
Boyd’s latest has the irresistible charm of a vintage car that’s still eminently roadworthy. And it’s great fun.Pub Date: April 17, 2012
ISBN: 978-0-06-187676-9
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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