A sheaf of 23 original stories in tribute to Ray Bradbury's 50 years in fantasy and science fiction. Among the more celebrated authors that were gathered to honor Bradbury's 350 editions in 30 countries around the world are Isaac Asimov (with a tribute), Orson Scott Card, Gregory Benford, Charles L. Grant, Richard Matheson, F. Paul Wilson, Norman Corwin, Robert Sheckley, the late Charles Beaumont and his son Christopher Beaumont (his debut short story)—and Bradbury himself, who offers ``The Troll,'' a lost story (but one of his best!) from 1950 that Bradbury repolished for Nolan. He also contributes a moving if muzzy, modestly voiced memoir about his early writing (``...I was advancing from terrible into awful, on my way to mediocre''). This is a gleeful crew, each writer linking his story in some way to Bradbury tales or characters. Nolan's wife Cameron Nolan offers ``The Awakening,'' a solid work about the sexual awakening of Douglas Spaulding of Dandelion Wine, while Nolan himself offers a wildly entertaining parody, ``The Dandelion Chronicles'' (``The Waukegan crowd sighed, gasped, choked, cried out, the look of the great dream-colored climbing strawberry rocket in their round Illinois eyes...''). The longest work of devotion here, and perhaps the most powerful, is Orson Scott Card's ``Feed the Baby of Love,'' tying Dandelion Wine's 1928 time period to the present. Robert Sheckley's ``The Other Mars'' is a witty updating of what spacemen might find on a Bradburyized Mars today, oddly still a place of mythic fantasy. Christopher Beaumont's ``The Man with the Power Tie'' tells of the son of the psychiatrist in Bradbury's ``The Man in the Rorschach Shirt,'' who finds himself wearing a horrible tie that soaks up luck and energy. First-rate in every way, stories, editing, and as an act of love.
Pub Date: Nov. 1, 1991
ISBN: 0-451-45134-1
Page Count: 320
Publisher: ROC/Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1991
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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