by William Joyce & illustrated by William Joyce ‧ RELEASE DATE: June 12, 2012
As triumphant in book form as in animated and interactive ones.
Ironically, this book in praise of books first appeared as a much-praised iPad app and Academy Award–winning animated short film.
The story, in a nutshell, concerns the titular book-loving Mr. Morris Lessmore, whose personal library is blown away in a terrible wind but who finds meaning caring for the books he finds in a marvelous library. Filled with both literary (Shakespeare, Humpty-Dumpty) and film references (The Wizard of Oz, The Red Balloon and Buster Keaton), the picture book version of Joyce's story has a quiet contemplative charm that demonstrates the continuing allure of the printed page. Paradoxically, the animated books of the film and app are captured as though in a series of frozen frames. The motif of the bound, printed book is everywhere. Even the furnishings and architectural details of the old-fashioned library in which the books “nest” like flying birds recall the codex. The unifying metaphor of life as story is a powerful one, as is the theme of the transformative power of books. The emphasis on connecting readers and books and the care of books pays homage to librarianship. Rich in allusions (“Less is More”) and brilliant in depicting the passage of time (images conflate times of day, seasons and years), Joyce’s work will inspire contemplation of the power of the book in its many forms.
As triumphant in book form as in animated and interactive ones. (Picture book. 5-10)Pub Date: June 12, 2012
ISBN: 978-1-4424-5702-7
Page Count: 56
Publisher: Atheneum
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: May 15, 2012
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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