From Pulitzer-winning novelist Kennedy (Very Old Bones, 1992, etc.), over 80 articles, reviews, interviews, and miscellaneous pieces—``a chorale of my own assumed voices.'' Before, during, and after halting (but ultimately successful) attempts to find his fictional voice, Kennedy plowed the fields of nonfiction as a reporter, book critic, and pop-culture fan. These pieces have been culled from nearly 40 years of this work, ranging from a 1954 tongue-in-cheek obit of Langford, a ``Widely Known Albany Cat,'' to a 1992 tribute to childhood idol Damon Runyon. The quality here ranges as widely as the time span. A few segments might have been better left out (notably those dealing with his wife's hiccups and Diane Sawyer's blond beauty); and the early journalism, though highly competent, bears marks of being written on the fly and lacks the lyricism that makes Kennedy's ``Albany cycle'' of novels soar. Meanwhile, the literary reviews and interviews reveal the author's heroes and mentors (Ernest Hemingway, Saul Bellow, John Steinbeck, Robert Penn Warren, John O'Hara, and E.L. Doctorow), as well as his fascination with Latin American writers (an interview with Gabriel Garc°a M†rquez became the first biographical report on the writer in both the US and Britain). Appreciations of Frank Sinatra, Louis Armstrong, and jazz pianist Joey Bolden are warm and charming fan's notes but seldom incisive. Aficionados will be most interested in Kennedy's accounts of his first stab at short-story writing; of his relatives (including an uncle who served as a partial model for Francis Phelan); Ironweed's astonishing rejection by 13 publishers; two brief encounters with Hollywood as a screenwriter; and, of course, the hardscrabble, raffish Irish-Catholic Albany milieu that the author has re-created as lovingly as Joyce's Dublin or Faulkner's Yoknapatawpha County. Not Kennedy in his best, heart-stirring fictional mode—but often funny, charming, and certainly indicative of the subterranean personal and literary roots that bore glorious fruit in his novels.
Pub Date: May 1, 1993
ISBN: 0-670-84211-7
Page Count: 512
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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