A richly textured, engrossing collection of tales about people discovering who and why they love.
The subtle rules and rituals of relationships are unveiled in these quietly penetrating stories.
Young’s yarns capture ordinary Americans in moments of stress and resolution that change their attitudes toward marriage, love, and life. Tales include the following: A man takes boxing lessons and deploys them against his wife’s lover; a Harvard graduate student engages in a game of mutual exhibitionism with a neighbor through a window, which falters when he encounters her in a bookstore; a dad becomes fascinated with a 13-year-old neighbor girl’s lesbian affair with a classmate; a young woman arriving in San Francisco meets the playboy scion of a famous painter on a nude beach and accompanies him back to his yacht; a formerly homeless woman picks up a currently homeless man on the beach in Venice, California; a Mexican American English professor in Los Angeles is drawn to a splendidly manly actor brimming with alt-right conspiracy theories; and a four-story cycle tracks a young man growing up in the 1960s from a high school romance to young adulthood as he withers under a failing marriage and an agonizing job as a door-to-door cookware salesman under the shadow of the Vietnam War. Young’s protagonists are adrift and dissatisfied, full of ruminations about their lives and larger political and racial tensions, and they’re usually pretty horny and avid for sex as a transformative or at least edifying experience. His spare, clear prose is raptly observant of mundane moments (“He wanted to know more about her—but having already said goodbye twice, no doubt starting up once more would strike the girl as odd, or aggressive”). But in lyrical passages, he conveys a sense of something grander underlying the everyday (“She laid out the bedroll, opened the wine, and watched as the light from the sunset curved and spread throughout the valley, like the hand of a god”). Young’s characters are steeped in confusion, but the collection is lit with a painful awareness and yearning that make them fascinating.
A richly textured, engrossing collection of tales about people discovering who and why they love.Pub Date: March 1, 2021
ISBN: 978-1-73442-362-4
Page Count: 149
Publisher: Bowker
Review Posted Online: April 22, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
