by William Low & illustrated by William Low ‧ RELEASE DATE: April 1, 2007
In celebration of one of New York City’s vanished glories, Low recreates in words and pictures the ornately decorated, girders-and-glass-ceiling wonder that was old Penn Station. In the text, he covers its history, from construction as a depot for the once-mighty Pennsylvania Railroad to its demolition and far less imposing replacement in the mid-1960s; the full-bleed paintings add impressionistic backgrounds, with hazy scenes of commuters lit by sunlight or lamps, passing through or lingering below soaring architectural spaces. Noting that the destruction of this “palace” created such a public backlash that the Landmarks Preservation Commission was formed—in time to save another gem, Grand Central Station—Low closes with the thought that buildings can be powerful symbols, “the heart and soul of all great cities.” Young readers, New York residents or not, will be more likely to look up the next time they’re downtown, and to understand that every structure has a unique story. (Picture book/nonfiction. 6-9)
Pub Date: April 1, 2007
ISBN: 0-8050-7925-4
Page Count: 40
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
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More by Teresa Robeson
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by Teresa Robeson ; illustrated by William Low
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by William Low ; illustrated by William Low
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by Russell Freedman ; illustrated by William Low
by Richard Collingridge ; illustrated by Richard Collingridge ‧ RELEASE DATE: July 31, 2018
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
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More by Richard Collingridge
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by Richard Collingridge ; illustrated by Richard Collingridge
by John Hare ; illustrated by John Hare ‧ RELEASE DATE: Sept. 8, 2020
A quick but adventuresome paddle into a mysterious realm.
The ocean’s depths offer extra wonders to a child who is briefly left behind on a class trip.
In the wake of their Field Trip to the Moon (2019), a racially diverse group of students boards a submarine (yellow, but not thatone) for a wordless journey to the ocean’s bottom. Donning pressure suits, the children follow their teacher past a swarm of bioluminescent squid, cluster around a black smoker, and pause at an old shipwreck before plodding back. One student, though, is too absorbed in taking pictures to catch the signal to depart and is soon alone amid ancient ruins—where a big, striped, friendly, finny creature who is more than willing to exchange selfies joins the child, but it hides away when the sub-bus swoops back into sight to pick up its stray. Though The Magic School Bus on the Ocean Floor (1994) carries a considerably richer informational load, in his easy-to-follow sequential panels Hare does accurately depict a spare assortment of benthic life and features, and he caps the outing with a labeled gallery of the errant student’s photos (including “Atlantis?” and “Pliosaur?”). The child is revealed at the end to be Black. Hare also adds cutaway views at the end of a diving suit and the sub. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 40% of actual size.)
A quick but adventuresome paddle into a mysterious realm. (Picture book. 6-8)Pub Date: Sept. 8, 2020
ISBN: 978-0-8234-4630-8
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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