Hob is a helpful household presence, fond of babies and, less often, also visible to children; unfortunately, he has greedily donned clothes given him by a grateful human and can't adopt a new home until he gets rid of them. He boards a London bus and, still encumbered by his hat, is powerless to counter the mischief of its resident Gremlin. The Gremlin absconds with both bus and hat, setting Hob free but causing driver Charlie's dismissal, and Hob joins Charlie's family in their move to Fairy Ring Cottage, left by Charlie's great-uncle. The move is not felicitous; a neighbor is a witch and the uncle a sorceror, entrapped beneath the cottage with a pot of gold coveted by a Goblin King of such power that Hob is sure combatting him will mean his own end. Still, it's his nature to try to save his family from the evils that now surface. In short paragraphs and the simplest of sentences, Mayne conjures up a friendly spirit whose worldview is childlike yet enchantingly un-human. Hob is of all times and none, loves his present comforts (including a cup of tea) but is vague about past and future, communes with inanimates (each of unique character: ``Hob had to deal with Hole, who came in on a shoe and began to nest in a carpet. Hole went to live in a road with workmen to feed him...''); he's incapable of forethought but knows where menace lies and is determined to defeat it. And so he does, in a ripsnorter of a conclusion with the Gremlin reappearing on another bus. Both comical and suspenseful, a tour de force from one of Britain's greats; a perfect companion to Cooper's The Boggart (1993) and Diana Wynne Jones's ebullient fantasies. (Fiction. 10+)
Pub Date: Aug. 1, 1994
ISBN: 1-56458-713-4
Page Count: 140
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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