A riveting suspense novel with an anti-behaviorist message that works, despite the lack of subtlety or originality, because it emerges only slowly from the chilling events. Five sixteen-year-olds, all of them orphans from institutions, are separately blindfolded and taken to an enormous, mystifying enclosure, consisting of nothing but an endless series of flights of stairs, which is later identified as a prototype "reinforcement center" for training (under Presidential contract) an elite corps of Gestapolike super-plumbers who can be relied upon to follow orders without question and without getting caught. The subjects of course are given no explanation for their abduction or any hint as to what is expected of them, and readers as well learn only gradually that the glowing machine on one landing dispenses food, that they must figure out what sort of behavior on their part will get it to work, that the rules themselves change unpredictably, and at last that it will reward them only when they are cruel to one another. It is at this point that two of the five, a tough rebellious girl and a boy who had seemed cowardly, dependent and dangerously withdrawn, refuse to cooperate — moving to another landing where they weaken physically while the other three are systematically dehumanized by the machine. Before Lola and Peter can starve quite to death (and, it happens, just as Lola is about to give in) the experiment is terminated by a scientist obviously chagrined by the two "intractables" though he plans to send the other three — now vicious, untrusting robots — on for further training. House of Stairs is really more a scenario than a novel and as a scenario it has its vulnerable links — for example, Lola's instinctive use of positive reinforcement to strengthen Peter's resolve and her assertion to the doctor later that rewards work better than punishments begs the moral/ political question of mind control per se. But Sleater does a masterly job of differentiating and developing his five human subjects, compelling readers to share in the process of their enlightenment, and communicating his ominous conjecture.
Pub Date: April 1, 1974
ISBN: 0140345809
Page Count: 180
Publisher: Dutton
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: April 1, 1974
A thrilling, climactic storm with an abrupt conclusion.
In this much-anticipated trilogy closer following 2019’s Children of Virtue and Vengeance, an enemy from a land across the sea carries out conquests to fulfill a prophecy that threatens the entire world.
The war between the maji and the crown of Orïsha ends when the Skulls, a tribe of masked, pale-skinned invaders, interrupt the pivotal battle, abducting Zélie, Tzain, Amari, Inan, and dozens of maji from their homeland. Caged on a ship and cut off from their magic, they have no choice but to set aside their bitterness and distrust to fight for their freedom. Ruthless and empowered by the volatile magic of bloodmetal weapons, the Skulls hunt for Zélie, “a girl with the blood of the sun,” at the command of their king, Baldyr, who prepares for his ascension to godhood during the Blood Moon. As much as she longs to return home, visions and an intertwined fate pull Zélie, along with her companions, to the land of New Gaīa in search of a girl with russet-brown skin and eyes that glitter like diamonds. United goals, fresh conflict, and impending doom provide invigorating gusts of momentum that push the story out of the doldrums of the previous book. On its own, this installment is a suspenseful and compelling expansion of the world, but as a series finale, the conflict seems disconnected from the first two books, and the resolution feels rushed.
A thrilling, climactic storm with an abrupt conclusion. (guide to clans) (Fantasy. 14-18)Pub Date: June 25, 2024
ISBN: N/A
Page Count: 368
Publisher: Henry Holt
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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