by William Weaver & Simonetta Puccini ‧ RELEASE DATE: Feb. 28, 1994
Puccini wins the prize for most-maligned great composer. In a fit of depressive self-deprecation, Puccini himself called his own music ``sugary,'' and the persistent popularity of his mature operas at box-offices around the world for nearly a century has too often provoked critical condescension, as if art so well-loved could not possibly be worth much. But that situation, thankfully, is changing, and this much-needed essay collection on Puccini by leading scholars of 19th- and 20th-century Italian opera is worth a good deal more than several new biographies. The volume ranges from a lengthy piece on Puccini's family by his granddaughter (one of the editors) to chapters devoted to Puccini's ``musical world'' and each of his operas by luminaries such as William Weaver, Harvey Sachs, Fedele D'Amico, Verdi heavyweights Mary Jane Phillips-Matz and Julian Budden, and William Ashbrook. A favorite: David Hamilton's expert investigation of the early Tosca recordings, especially the legendary ``Mapelson cylinders'' of live Metropolitan Opera performances from 1902-03, to see what light they shed on Puccini's original interpreters. The editors, perhaps hoping to attract non-musicologist admirers of the Luccan master, issue the disclaimer that ``this is not a work of scholarship'' (even though two of the chapters make a start on an accessible Puccini bibliography). They needn't have worried. Lovers of Puccini and Italian opera at every level of interest and knowledge will want this book. (Photographs—not seen)
Pub Date: Feb. 28, 1994
ISBN: 0-393-02930-1
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
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by John Motavalli ‧ RELEASE DATE: Aug. 5, 2002
Proves without a doubt that even masters of the universe sometimes lose their heads, and then their shirts.
Knowing inside account of the major media conglomerates’ efforts to embrace and profit from the ’90s dot.com boom.
As the New York Post’s first computer/Internet columnist, Motavalli had a ringside seat while Disney, Time Warner, News Corp., and others tripped over themselves to get on board the emerging Internet phenomenon. With little certainty about what the successful and manageable applications of the World Wide Web would be, media corporations and their leaders nonetheless rushed to spend hundreds of millions of dollars so as not to get left behind. They helped create the dot.com bubble of inflated salaries and unlimited expectations that burst so mercilessly in 2000–01. Motavalli, who admits being swept up like everyone else in the initial euphoria, narrates with an intimate feel for the year-by-year developments: the promises and glorious optimism of a dawning technological age, the maneuvering moguls and CEOs, the media executives who doubled their income by switching to the dot.com start-ups, and the chilling reality bath that awaited all. AOL’s Steve Case, Time Warner’s Bob Pittman and Gerald Levin, John F. Kennedy Jr. of George, Time magazine’s Walter Isaacson, and iVillage’s Candace Carpenter are among the many prime movers whose trajectories are analyzed here. Some big winners emerge (AOL, Amazon, eBay, Yahoo), but more common is the fate of one Internet-related stock that fell from $150 to just $3 per share. Motavalli sees this not solely as a tale of greed and ambition run wild, but a telling parable of the herd mentality; when it appears the wheel has been reinvented, everyone wants to go along for the ride, even though the ultimate destination is unknown. Well-researched and dense with names, dates, meetings, and numbers, the author’s recollections may provide more information than most will be willing to download, but he convincingly captures the boardroom machinations of this extraordinary era.
Proves without a doubt that even masters of the universe sometimes lose their heads, and then their shirts.Pub Date: Aug. 5, 2002
ISBN: 0-670-89980-1
Page Count: 336
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
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by Daniel Stashower ‧ RELEASE DATE: Oct. 5, 2006
A bold attempt to understand a tormented genius, to examine a grisly crime and to explain the latter’s effects both on...
An informative, swift-moving account of how Edgar Allan Poe transformed a sensational 1841 New York City murder into “The Mystery of Marie Roget” (published in three installments in the winter of 1842–3).
Stashower knows murder, and he knows the craft of biography. He has written mystery novels (Elephants in the Distance, 1989) and an Edgar-winning life of Arthur Conan Doyle (Teller of Tales, 1999) and brings to this current, complex task both considerable intelligence and wide-ranging research (he scoured Poe scholarship, 19th-century newspapers and Poe’s letters and fiction). For a while, chapters alternate between the murder investigation and the life of Poe. But eventually, the two converge. Mary Rogers, by universal assent, was a beautiful young woman who worked in a cigar shop. Men—not all of them smokers—flocked to the store. But Mary’s life was not untroubled. In 1838, she wrote a suicide note, disappeared, then returned to work. She had at least two serious suitors (both would soon be murder suspects). On a summer Sunday, she left home, supposedly to visit her aunt and attend church. A few days later, her body was found floating in the surf. The initial examination revealed signs of rape and strangulation. Local newspapers—both Horace Greeley and James Gordon Bennett were involved—fanned the flames of the investigation, printing ever more lurid speculations. Some men were arrested, but all were eventually released. And the case gradually fell from the front pages. Enter struggling writer E.A. Poe, who had already written his first detective story, “The Murders in the Rue Morgue,” and believed his fictional detective, C. Auguste Dupin, could solve the Rogers case. Poe had published two installments of “Roget” when alarming new evidence suggested that Mary had died during an abortion. Poe had to modify his final installment.
A bold attempt to understand a tormented genius, to examine a grisly crime and to explain the latter’s effects both on Gotham’s system of law enforcement and on abortion legislation.Pub Date: Oct. 5, 2006
ISBN: 0-525-94981-X
Page Count: 352
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
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