A moving, elegantly constructed celebration of differences sure to foster empathy and stir the imagination.
The story of a table belonging to two different families.
A poor white family owns a wooden kitchen table. It holds the biscuits that Meemaw bakes, as well as the plate of peas the child narrator leaves after devouring cornbread and pork-fat pinto beans. The table also holds a book that the child reads aloud to Meemaw, who’s illiterate, along with bills that Mama can’t pay. The mines that have made Grandaddy sick have also left Papa unemployed, and the family soon loses their house. Since the table won’t fit in their next home, they leave it on the side of the road, where a Black carpenter and his family pick it up. “This a good table right here,” Daddy tells his child, the narrator of the book’s second half. And once it’s cleaned up, the table holds beef stew, which this youngster dislikes as much as the other child hated those dreaded peas. As the story draws to a close, the youngster wonders about the previous owners of the family’s new-old table. Bingham and Blevins write with a mixture of melancholy and hope, using masterfully chosen details to draw rich portraits of two different families, each united in their love for one another. With his stunning use of textures, Griffin’s ingenious mixed-media illustrations show only the characters’ hands—an intriguing choice that leaves readers to fill in many gaps.
A moving, elegantly constructed celebration of differences sure to foster empathy and stir the imagination. (creators’ notes) (Picture book. 4-8)Pub Date: Sept. 17, 2024
ISBN: 9780823456420
Page Count: 56
Publisher: Neal Porter/Holiday House
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
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