Greg’s masterful first novel is charming, seductive, and sinister by turns.
An autobiographical novel about a young girl growing up in a small Polish village.
Greg (Finite Formulae and Theories of Chance, 2014, etc.) has published several volumes of poetry and been translated into at least five different languages. Her first book of prose, an autobiographical novel (or a fictionalized memoir), was received to great acclaim in the U.K. and was longlisted for the 2017 Man Booker International Prize. The book’s appearance in the U.S. is a great gift. The novel describes Greg’s childhood and early adolescence in a small Polish village in the 1970s and '80s. It is composed of short, vivid chapters that glisten and gleam, clicking one behind the other like pearls on a string. In one, Wiola (as she is called here) anticipates a visit from the pope to their village—really, he will just be driving through, but the village women eagerly prepare bunting to welcome him. Just as the bunting has been finished, however, a crowd of men arrives to destroy it: these are communist times, after all. Greg’s ability to describe moments of great historical, political, and cultural importance through the eyes of a child is wonderful. She remains focused on her young protagonist even as the Soviet Union splinters around her. Even better is Greg’s emphasis on bright, almost otherworldly images that crop up throughout these chapters. Wiola’s father practices taxidermy in his spare time; one day, after completing a project, he falls asleep on the sofa: “The goshawk, with its artificially spread wings, soared above him.” Later, her father dies, but before he does, Wiola notices “the shadow of a queen bee flicker[ing] in the window.” The images give the novel a fairy-tale quality, as does the threat of sexual violence, which echoes throughout several chapters.
Greg’s masterful first novel is charming, seductive, and sinister by turns.Pub Date: Sept. 12, 2017
ISBN: 978-1-945492-04-4
Page Count: 146
Publisher: Transit Books
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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