A contemporary of the French New Novelists, Gombrowicz (Bacacay, 2004, etc.) may well be the missing link between Nikolai...
Like William Blake’s poetry, Gombrowicz’s darkly puckish novel, first published in Poland in 1965, strives to see the world in a mustard seed—and neither the attempt nor the results are pretty.
The narrator, casually identifying himself as Witold, is a student traveling through the Koscieliska region on vacation. Together with Fuks, another student, he finds a sparrow hanging from a tree in the woods outside the rooming house run by the Wojtys family. It’s obviously an omen, but the narrator’s preoccupation with its meaning is only the opening round in a series of ever more puzzling obsessions. He can’t help seeing an unspecified “relation” between the mouth of Katasia, the pension’s housekeeper, misshapen by a car accident but somehow erotic, and the more normal but inseparable mouth of Lena Wojtys, the daughter of the household. He’s fascinated by the wire mesh over an ashtray in the parlor. When Lena points out a crack in the dining room ceiling that looks like an arrow, he finds a remarkably similar arrow in the ceiling of the room he shares with Fuks. Other characters seem scarcely less obsessive. The master of the house constantly coins nonsense words he repeats more and more compulsively. Fuks’s only topic of conversation is his mistreatment by his boss Drozdowski, who never appears. When Lena’s cat is strangled and hanged like the sparrow, the narrator is as bewildered as everyone else. The answer—what answer there is—lies in the future, not the past. Long before the stunningly inconclusive fadeout, though, readers will have given up hope that these monstrous minutiae will ever yield the clear-cut meaning the narrator demands.
A contemporary of the French New Novelists, Gombrowicz (Bacacay, 2004, etc.) may well be the missing link between Nikolai Gogol and Nicholson Baker.Pub Date: Oct. 1, 2005
ISBN: 0-300-10848-6
Page Count: 208
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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