by Wong Herbert Yee ; illustrated by Wong Herbert Yee ‧ RELEASE DATE: Aug. 4, 2015
Quibble aside, a sound conclusion to the series.
In the fourth installment of Yee’s seasonal picture-book quartet (Who Likes Rain?, 2007, etc.), a girl celebrates the coming of autumn and finds a special way to remember it when it’s over.
Yee’s rhyming text conveys the first-person narrator’s excitement as summer turns to fall. She delights in exploring the natural world and uses a camera, pencil, and sketchbook to record observations. A trusty backpack carries these supplies and holds colorful, fallen leaves and acorns, too. The story ultimately suggests that the most precious things she collects are memories of time spent in autumnal beauty, and she uses scissors, glue, crayons, and the photos and items she’s gathered to create the eponymous “autumn book.” Closing spreads show her cozied up inside her house and looking at her scrapbook on wintry days. Throughout, Yee’s Prismacolor illustrations consistently reflect the girl’s experiences while also employing design choices to bring readers close to her activities—some pictures are made to look like photos the girl took with her camera, for example. On the other hand, while readers might believe the girl took the depicted photos, the rhyming style of the text (while consistent with the other books in the series) can make the narration feel a bit forced alongside the more successful artistic rendering of the child’s point of view.
Quibble aside, a sound conclusion to the series. (Picture book. 3-6)Pub Date: Aug. 4, 2015
ISBN: 978-0-8050-9922-5
Page Count: 32
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
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by Wong Herbert Yee ; illustrated by Wong Herbert Yee
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Owen Hart ; illustrated by Sean Julian ‧ RELEASE DATE: Sept. 1, 2017
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...
A polar-bear parent speaks poetically of love for a child.
A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.
Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-1-68010-070-9
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Owen Hart ; illustrated by Caroline Pedler
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by Owen Hart ; illustrated by Judi Abbot
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by Owen Hart ; illustrated by Caroline Pedler
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