SQUEAK, RUMBLE, WHOMP! WHOMP! WHOMP!

Marsalis and Rogers, who collaborated on the scintillating Jazz ABZ (2005), reunite for this sonic celebration for the younger crowd.

Marsalis contributes 10 three-line verses that crackle with invented sound words. Most verses link a couple of everyday sounds with one made by a musical instrument: “Big trucks on the highway RRRRUMBLE. / Hunger makes my tummy GRrruMBle. / The big bass drum goes “Bum! Brrrum! BRRRUMBLE!!!!” Rogers’ digitally colored ink drawings depict a New Orleans setting. The narrator, an African-American boy in white high-tops, exudes curiosity and cool (and plays trumpet). Those onomatopoeic words, elegantly red-dressed in Caslon 540 Italic, will challenge readers and delight listeners. Marsalis’ choices seem just right: “Chrrrick chrrrick chrrrick chrrrick—buttering my toast.” An upright bass emits “Doom, Doom, Doom, Blap! Doom, Doom, Slap!” Rogers’ hip, playfully cartoonish spreads pop with clever visual allusions to jazz tunes and players. Hand-lettered lyrics to a popular funeral song blow out of a church band’s instruments; indeed, the tuba’s bell forms the “O” for “O[h] didn’t he ramble.” An ambulance’s side reads “U.M.M.G. Ambulance,” a brilliant reference to the Billy Strayhorn tune whose titular acronym means “Upper Manhattan Medical Group.” The final spread rounds up a cacophony of sounds, from “Squeak” and “Schuk-chuk” to “BAP!”

Loud and clear, the creators show how tuning into everyday sounds can inspire music. Clap, clap, CLAP! (Picture Book. 3-7)