Pure fantasy in the best sense.
When the post office announces that children can now be mailed, Dandan is excited to finally visit her father at the South Pole.
On huge, colorful spreads filled with surreal details and bold brush strokes, Dandan embarks on a dreamy journey by affixing winged stamps to her clothing and taking off on the back of a magical blue horse. The Chinese girl with a bowl haircut flies exuberantly over landscapes dotted with whimsical details (such as clothed animals doing jobs and a cage full of colorful birds several times larger than the houses) until she spots trouble. A whale has trapped a ship against an island! Fantastical sea creatures ogle the disaster from below. Discarding stamps like petals, Dandan descends to rescue the boat and its crew but then realizes she has no more stamps for flying. Of course, she finds a very creative solution, and the delightful sight of a little man in his green parka waving from an iceberg will not fail to bring a smile to any reader’s face. Gong’s artwork is a riot of colors and odd juxtapositions and compositions, a cross between Elisa Kleven’s and Maira Kalman’s work. Every page includes charming details scattered across dynamic and bold compositions, especially delightful when paired with Zhu’s absurd plot conveyed through expressive font sizes, shapes, and colors. (This book was reviewed digitally with 11.4-by-18-inch double-page spreads viewed at 60% of actual size.)
Pure fantasy in the best sense. (Picture book. 4-8)Pub Date: Sept. 30, 2020
ISBN: 978-1-4788-6853-8
Page Count: 40
Publisher: Reycraft Books
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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