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ACCIDENTS

A superficial, verbose account of a problematic relationship.

Two writers cautiously inch toward love in this Israeli university teacher’s sluggish first novel, following the collection Housebroken (2001).

Yonatan Luria, 45, lives in Tel Aviv with his ten-year-old daughter Dana. His wife Ilana died five years before in a car accident. Since then Yonatan has written only a few pages, though he has a reputation based on two earlier novels about love. Money’s not a problem; Ilana’s rich American parents continue to send regular checks. Yonatan’s eventual partner, 36-year-old Shira Klein, saw her first novel top the bestseller list, but that was three years ago. She too has writer’s block. Shira is unmarried, though she has had affairs. She doesn’t make things easy for herself; if men are either “very smart or not enough,” out come her claws. Yonatan, who considers himself an excellent lover, has been celibate for years, though women are always hitting on him. These two difficult people, lonely, restless and self-hating, meet over dinner at a mutual friend’s house. He wants me, he wants me not, muses Shira. She wants me, she wants me not, muses Yonatan. Just do it, begs the reader, but their first kiss will not come until past the halfway point, and it will be another 100 pages before a joint declaration of love. Meanwhile, Dana is experiencing preadolescent anxieties, and Shira’s retired father Max is slowly dying. Hedaya provides context through glimpses of Tel Aviv life, but she does not have the alchemy to invest the mundane with significance. Towards the end, as Yonatan begins teaching in Jerusalem, attention shifts to Shira’s vigil for Max. That’s unfortunate, for the love relationship could use closer examination after Yonatan’s university gig exposes him as a supreme narcissist, thrilled that his students are more interested in him than in Faulkner, his ostensible subject.

A superficial, verbose account of a problematic relationship.

Pub Date: Sept. 1, 2005

ISBN: 0-8050-7348-5

Page Count: 464

Publisher: Metropolitan/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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