A beautifully realized book that reminds readers that there’s more than one rhythm to dance to.
In this latest offering from award winner Méndez, a crisis leads a girl to wrestle with questions of selfhood: “Without dance, I wasn’t sure who I was.”
Florencia del Lago, whose parents are from Argentina, is cast as the first-ever Latina Clara—and, at 11, the youngest one, too—in the Utah Valley Junior Ballet ensemble’s performance of The Nutcracker. With the starring role comes tremendous pressure from Madame Sophie, her strict ballet instructor. Flor’s grades suffer, she constantly questions her abilities and appearance, and her mother’s own unfulfilled ballerina dreams weigh on her. On the night of the first performance, Flor has a panic attack, which leads to public humiliation and a terrible fight between Mamá and Madame Sophie. Flor loses her spot in the studio, and her best friend, Selena, assumes the role of Clara. Flor is forced to evaluate herself, her love of dance, and the true definition of friendship. Flor’s journey is full of self-reflection, but her ample progress and insights propel the story and balance the introspective moments. That Flor is able to move past people and activities that don’t serve her, while getting therapy and trying to find new things to make her happy, will serve as inspiration to anyone who feels defined by something they used to do.
A beautifully realized book that reminds readers that there’s more than one rhythm to dance to. (author’s note, glossary) (Fiction. 8-12)Pub Date: April 22, 2025
ISBN: 9781643796437
Page Count: 368
Publisher: Tu Books
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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