Mind-expanding fantasy and SF.
A royal minister in disfavor is ordered to complete a tyrannical queen’s prized project in Barsukov’s fantasy novel.
In an unspecified realm where medieval elements combine with a culture approaching (but not quite reaching) a “steampunk” level of development, Lord Shea Ashcroft is a royal minister who has defied an order by the all-powerful but rarely seen Queen Daelyn to use a gas weapon on protesters. Thus, Ashcroft is demoted to an assignment to ensure completion of Daelyn’s ruinously ambitious legacy project: a soaring tower in Owenbeg, a province bordering on the rival nation of Duma. Though ostensibly a defense against “skyrafts,” the massive edifice seems more an arrogant affirmation of royal power than anything else (its toll, in human and financial terms, triggered the protests in the first place). To keep the structure standing and growing, its chief engineer Brielle has had to resort to accepting aid from the “Drakiri”; these are members of a strange, secretive minority—equipped with advanced, incomprehensible technologies—whose origins are now obscure even to them. Among their most prized pieces of tech are “tulips,” oval devices that can counteract gravity. If not wielded properly, a tulip can cause a drastic implosion, destructively pulling everything in range inward. Brielle’s desperate deployment of tulips throughout the tower leads to catastrophic failures and losses of life—but are these accidents or acts of sabotage? Haunted by the death of his sister Lena in a childhood tulip incident, Ashcroft gets close to a Drakiri woman (coincidentally also called Lena) and learns that a Drakiri superstition predicts the advent of a frightful “Mimic Tower” that will materialize if the tulip-assisted tower of Daelyn continues to persist. Assassination attempts and intrigues at court seed a trail ultimately leading Ashcroft into Duma itself, where the Cold War–like animosity between the two kingdoms takes on literally cosmos-bending proportions.
Readers may be tempted to make analogies between the Drakiri and Jews or Romany people, or to compare the Drakiri devices to the nuclear power plant at Chernobyl, another apocalyptic power grimly unleashed in a Slavic setting. But these analogs only go so far as the narrative reaches a metaphysical denouement that goes outside the realm of conventional reality to explicate the tale’s vagueness regarding time, place, physics, and even the reason that Queen Daelyn’s capital remains nameless. Some of this material was originally released as an award-winning novella, Tower of Mud and Straw (2021). In this volume,Barsukov has added a follow-up, City of Spires, City of Seagulls, forming a whole that answers many of the original narrative’s questions, however cryptically. There are similarities to Stephen King’s epic Dark Tower series (though without anything near the marathon page count) as well as to Ursula K. Le Guin’s Lathe of Heaven (1971) and the work of sibling Russian masters Arkady and Boris Strugatsky. Barsukov’s storyline becomes quite challenging to follow in the narrative’s latter half, in which plot threads diverge to follow Shea, Brielle, and (via rather conveniently recovered diary entries) the Drakiri Lena, but the payoff is worth the effort. The author’s prose is rarely less than lyrical and poetic (“The balcony windows brought in the smells of autumn’s brandy: smoke from the burning leaves, damp earth, the rotting perfume of forgotten things”). Highly recommended for fans of high fantasy and SF wishing to tread in especially exotic territory.
Mind-expanding fantasy and SF.Pub Date: Nov. 12, 2024
ISBN: 9781647101367
Page Count: 300
Publisher: Caezik SF & Fantasy
Review Posted Online: Oct. 24, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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