A lot of fun, and very smart about family, aging, and being Jewish.
A feisty French Jewish family takes a road trip to Auschwitz.
After the success of Jesse Eisenberg’s film A Real Pain, American readers seem ready to embrace a comic novel featuring a visit to a concentration camp. Reza, a French writer best known here for the plays God of Carnage and Art, brings her skill at high-energy dialogue to this story of three aging siblings, Jean, Serge, and Nana Popper, narrated by Jean. We meet him at the community pool where he’s taken his ex-girlfriend Marion’s 9-year-old son, Luc, to teach him to swim. “I’ve never been entirely sure who I am to him,” he comments, and the reader will need to pay close attention or find themselves in a similar boat with the throng of named characters who arrive in the pages that follow. For example, in describing the Sunday lunches held at their mother’s house before her recent death, Jean introduces a slew of family members: “Joséphine, Serge’s daughter, came to the doorstep every other week already exasperated. Victor, Nana and Ramos’s son, was training at the École Émile Poillot, the ‘Harvard of gastronomy,’ according to Ramos, who pronounces it ‘Harward.’” All these people are important, as are the culinary credentials of the mostly off-stage Victor, whose career options become a bone of contention among the extremely argumentative older generation. It is Joséphine who spearheads the family trip to Auschwitz; her father’s first reaction is indicative of the tone of the entire adventure: “You know, I paid through the nose for a course in eyebrows, and look where that’s gotten her, now she wants to go to Auschwitz, what’s wrong with this girl?” Like her cousin Victor’s, Joséphine’s employment goals are a hot topic in the family, but this family can argue about anything, and will, from the Judenrampe to the gas chamber to the Kraków Radisson and back. Final scenes in a hospital waiting room add poignancy to the mix.
A lot of fun, and very smart about family, aging, and being Jewish.Pub Date: Aug. 26, 2025
ISBN: 9781632064011
Page Count: 160
Publisher: Restless Books
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
