by Yewande Daniel-Ayoade ; illustrated by Ken Daley ‧ RELEASE DATE: March 12, 2024
A subtly radical education on service and leadership.
The law made her the head of her small West African village, but only her ability to watch and listen will make this little girl a leader.
Abioye is 8 years old when her father, the king of her village, dies and she must assume the role of the regent, an interim ruler appointed, per Yoruba tradition, when there is no male heir. Grieving her father and seeking counsel from her mother, Abioye must face detractors who question her ability to rule because of her inexperience and her age. Initially, she even doubts herself. Bright, full-color illustrations show a lively village bustling with activity in celebration of their new leader, even as Abioye herself is somber as she feels the weight of her newfound responsibilities bear down on her and reflects on her late father’s approach to leadership. Her loving and supportive mother advises her to follow in her father’s footsteps of service-minded rule: “Start by watching and listening.” With this, Abioye considers the needs of the cooks, the fishers, the children, and all the villagers beyond the palace walls, which frustrates her chief critics but wins her the overwhelming support of the village, ultimately making her interim role a permanent one. She becomes the first girl to hold the position of king. This empowering, well-paced tale concludes with a hopeful author’s note that provides greater context about Yoruba culture.
A subtly radical education on service and leadership. (author’s note) (Picture book. 4-8)Pub Date: March 12, 2024
ISBN: 9781771475624
Page Count: 44
Publisher: Owlkids Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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by Yewande Daniel-Ayoade ; illustrated by Renate Logina
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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