by Yin & illustrated by Chris K. Soentiept ‧ RELEASE DATE: Feb. 1, 2001
As a boy and his grandmother celebrate the Ching Ming Festival, a holiday honoring one’s ancestors, the grandmother tells the story of her great-grandfather, Shek, who came from China to California in 1865 to work on the transcontinental railroad. Shek and his little brother Wong endured the two-month trip to America and immediately signed up with the Central Pacific Railroad Company to work as laborers. The Chinese workers, known derogatorily as “coolies,” from a Chinese word meaning “bitter labor,” were paid less than their European counterparts and were often given the most dangerous jobs, those involving explosives, for example, and were forced to work in terrible weather conditions. (The author’s note informs the reader that thousands of Chinese laborers died while working on the railroad.) Shek and the other Chinese workers tried to stand up for themselves by staging a strike, but were forced to back down before any of their demands were met. Even when the railroad’s completion is celebrated, the importance of the Chinese laborers is ignored. After four years on the railroad, Shek and Wong used their earnings to open a store in San Francisco and eventually brought the rest of their family over to the US. Soentpiet’s signature glowing watercolors bathe the images with light. The pictures of big scenes—the teeming shipyard, the crowded living quarters on the ship, a campfire surrounded by snow-covered mountains, a busy San Francisco street—are striking and grand. The design—each double-page spread laid out with ¾ of the page as illustration while the ¼ on the left holds the text in a box—allows for a fuller view of the sweeping scenes. This is an important story, full of drama and emotion and it is here given its proper recognition and tribute in both words and glorious art. Perhaps it will encourage other grandparents to share their family history as well. Masterful. (Picture book. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-399-23227-3
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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by Yin & illustrated by Chris Soentpiet
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by Yin & illustrated by Chris Soentpiet
by Geronimo Stilton & illustrated by Geronimo Stilton ‧ RELEASE DATE: Jan. 1, 2013
Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.
Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)
Pub Date: Jan. 1, 2013
ISBN: 978-0-545-44774-4
Page Count: 128
Publisher: Scholastic
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Geronimo Stilton & Tom Angleberger ; illustrated by Tom Angleberger
BOOK REVIEW
by Geronimo Stilton & Tom Angleberger ; illustrated by Tom Angleberger
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by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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