Yin and Soentpiet collaborate for the second time (Coolies, 2001) with this long first-person story narrated by a Hispanic boy named Willy. His best friend, Carlos, is in a wheelchair due to an unspecified accident, and they both live in a New York City high-rise apartment building in a neighborhood that Willy calls “scary and rough.” Willy sends Santa an e-mail asking for a gift for Carlos, and Carlos does the same for Willy. On Christmas Eve, Santa arrives in the street outside and, after a long climb up 19 flights of stairs, shedding his garb along the way, gives Carlos a basketball (even though he can’t use it in his wheelchair) and Willy a telescope. The basketball and Santa’s visit are supposed to give the boys hope, and perhaps they shall, though it’s a stretch. Soentpiet’s realistic watercolor illustrations give each character an individual personality, and Santa seems quite real, especially when he arrives in the street, as he struggles to make it up the stairs with his pack of heavy gifts, and in the cover illustration as he looks at his computer screen. Though the overall story is a touch sentimental, its realistic urban setting, not seen enough in picture books, will help it find its audience. (Picture book. 6-8)
Pub Date: Sept. 1, 2002
ISBN: 0-399-23636-8
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
Craft's first book is a retelling of the famous story of Psyche, who is so beautiful that Venus, the goddess of beauty, is jealous. She sends her son, Cupid, to punish the mortal, but he falls in love with her. When Psyche fails to trust that love, she must perform seemingly impossible tasks to win Cupid back. The text flows smoothly and retains a touch of formality, giving the story a suitably ancient resonance. The radiant oil- over-watercolor paintings are exquisitely detailed, filled with intricacies that reward long and careful scrutiny. The design of the book is meticulous, from an unusual, yet readable, typeface to the ornate borders, some of which resemble gold jewelry more than paintings. (Picture book/folklore. 6-8)
Pub Date: June 1, 1996
ISBN: 0-688-13163-8
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
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