It would be nice to have more control over the pace of the story, but the overall presentation is so spectacular it’s worth...
A stunning iPad adaptation showcases the story behind the popular ballet.
Over the last century, scores of books have attempted to capture The Nutcracker’s magic, but any one of them would be hard pressed to outshine this version. Without question the app’s most breathtaking component is the lavish artwork hand-painted by fine-art painter/illustrator Tanaka. Her exquisite use of color and light coupled with her distinctive interpretations of the characters provides a luxuriant feast for the eyes. Text is effectively scant, and there is no narration. Each screen is accompanied (occasionally at inconsistent audio levels) by Tchaikovsky’s beloved compositions, as performed by the developer’s “virtual” orchestra. In storybook mode, the features run their course at their own pace (which is frequently painstakingly slow), and readers have no choice but to wait it out. In movie mode, the pages turn automatically; both options offer a pause button. Interactive features are minimal and involve eliciting various brief sound effects, but there’s plenty of brilliant animation—though at times movement resembles languid animatronics in a mall display. On the iPad 2, the app can be streamed to HDTV for a “concert hall” experience.
It would be nice to have more control over the pace of the story, but the overall presentation is so spectacular it’s worth lingering over. (iPad storybook app. 3-10)Pub Date: Nov. 16, 2011
ISBN: N/A
Page Count: -
Publisher: Mouse King Media
Review Posted Online: Dec. 15, 2011
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Extraordinary introductory terror, beautiful to the eye and sure to delight younger horror enthusiasts.
What terrors lurk within your mouth? Jasper Rabbit knows.
“You have stumbled your way into the unknown.” The young bunny introduced in Reynolds and Brown’s Caldecott Honor–winning picture book, Creepy Carrots (2012), takes up Rod Serling’s mantle, and the fit is perfect. Mimicking an episode of The Twilight Zone, the book follows Charlie Marmot, an average kid with a penchant for the strange and unusual. He’s pleased when his tonsils become infected; maybe once they’re out he can take them to school for show and tell! That’s when bizarre things start to happen: Noises in the night. Slimy trails on his bedroom floor. And when Charlie goes in for his surgery, he’s told that the tonsils have disappeared from his throat; clearly something sinister is afoot. Those not yet ready for Goosebumps levels of horror will find this a welcome starter pack. Reynolds has perfected the tension he employed in his Creepy Tales! series, and partner in crime Brown imbues each illustration with both humor and a delicate undercurrent of dark foreshadowing. While the fleshy pink tonsils—the sole spot of color in this black-and-white world—aren’t outrageously gross, there’s something distinctly disgusting about them. And though the book stars cute, furry woodland creatures, the spooky surprise ending is 100% otherworldly—a marvelous moment of twisted logic.
Extraordinary introductory terror, beautiful to the eye and sure to delight younger horror enthusiasts. (Early chapter book. 6-9)Pub Date: Sept. 2, 2025
ISBN: 9781665961080
Page Count: 88
Publisher: Simon & Schuster
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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