illustrated by Yoko Tanaka & developed by Mouse King Media ‧ RELEASE DATE: Nov. 16, 2011
It would be nice to have more control over the pace of the story, but the overall presentation is so spectacular it’s worth...
A stunning iPad adaptation showcases the story behind the popular ballet.
Over the last century, scores of books have attempted to capture The Nutcracker’s magic, but any one of them would be hard pressed to outshine this version. Without question the app’s most breathtaking component is the lavish artwork hand-painted by fine-art painter/illustrator Tanaka. Her exquisite use of color and light coupled with her distinctive interpretations of the characters provides a luxuriant feast for the eyes. Text is effectively scant, and there is no narration. Each screen is accompanied (occasionally at inconsistent audio levels) by Tchaikovsky’s beloved compositions, as performed by the developer’s “virtual” orchestra. In storybook mode, the features run their course at their own pace (which is frequently painstakingly slow), and readers have no choice but to wait it out. In movie mode, the pages turn automatically; both options offer a pause button. Interactive features are minimal and involve eliciting various brief sound effects, but there’s plenty of brilliant animation—though at times movement resembles languid animatronics in a mall display. On the iPad 2, the app can be streamed to HDTV for a “concert hall” experience.
It would be nice to have more control over the pace of the story, but the overall presentation is so spectacular it’s worth lingering over. (iPad storybook app. 3-10)Pub Date: Nov. 16, 2011
ISBN: N/A
Page Count: -
Publisher: Mouse King Media
Review Posted Online: Dec. 15, 2011
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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