A playful journey toward the space between languages.
A polyglot’s travelogue, steeped in the joys and peculiarities of exploring a foreign language.
This book, named after a term used to describe “the phenomenon of existing outside of one’s mother tongue,” gathers a series of short observations about languages, borders, and semantics collected over the course of the author’s frequent academic travels. Tawada (Suggested in the Stars, 2024, etc.), who writes in both Japanese and German, is a perfect guide for this peculiar journey, as she embodies the exophonic experience and can showcase firsthand how existing outside one’s native language can reveal hidden wordplay and energy that a native speaker might otherwise overlook. Each vignette follows roughly the same format: Tawada travels abroad to a literary event and encounters a linguistic hiccup that unfurls into a tangent of intellectual rumination. In one, she reflects on being asked what language she dreams in, a question she feels unfairly suggests that one language is more “real” than the other. While in Seoul, she considers the idea of “foreign literature” and how that concept transforms under political turmoil, “particularly here in Korea, where Japan had forced the Korean people into an exophonic condition against their will.” Many segments discuss “loan words,” terms adopted into vernacular as near-homonyms of their foreign source, such as the Japanese “koppu” (cup) and “basu” (bus). Tawada frequently drifts into details that only fellow language-savants will fully appreciate: She parses out compound words, marvels at the individual meanings of their segments, and then overlays their German and Japanese translations. These digressions may exhaust those readers looking for a more cogent point to these flights of fancy, but Tawada explains that these curious observations can lead to something profound. “Play,” she explains, “can temporarily free us from the habit of seeing words solely as tools for conveying meaning, allowing us to come in contact with the language itself.”
A playful journey toward the space between languages.Pub Date: June 3, 2025
ISBN: 9780811237871
Page Count: 192
Publisher: New Directions
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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