Proof positive that rebirths are entirely possible—even in one lifetime.
In searching for answers to her husband’s untimely death, a young widow in Beijing finds room to explore her own existential angst.
Jia Jia is packing for an out-of-town holiday when she finds her husband, Cheng Hang, drowned in the bathtub of their Beijing apartment. It speaks to the quality of their marriage that she immediately feels resentment and disgust bubble up to the surface. “He had never loved her, no, she knew that much. She was not a fool. But they had promised each other a lifelong partnership, held together if not by love, then by their declared intention to have a family. And so as long as he had assured her that he intended to remain married to her, everything else had been forgivable.” In the disorienting weeks after her husband’s death, Jia Jia is liberated from societal expectations and the crushing isolation of their loveless marriage. She is free to pursue her art and even strikes up a friendship with Leo, a handsome bartender her own age. But an arresting sketch of a “fish-man” that Cheng Hang leaves behind on a pile of towels in the bathroom where he died makes Jia Jia restless. Why did her husband draw this strange creature with the head of a man and the body of a fish? Why does it draw Jia Jia in? Remembering that her husband told her he'd dreamed about this fish-man while he was on a spiritual trip to Tibet about a month earlier, Jia Jia decides to travel there for answers. Yu’s original debut spins an increasingly surreal tale which brilliantly mirrors Jia Jia’s own discombobulation. The fish-man plotline might not fully submerge the reader in the narrative, but the lush atmosphere and fast-paced story make up for it. Also, Jia Jia’s vulnerability makes her easy to root for as she begins to find her footing in the world.
Proof positive that rebirths are entirely possible—even in one lifetime.Pub Date: April 14, 2020
ISBN: 978-0-8021-4871-1
Page Count: 240
Publisher: Grove
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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