A rich, engrossing tale that manages to be both concise and expansive.
A sexually charged graphic novel tracing a woman’s desperate attempts to ascend beyond the strict confines of 16th-century Dutch society.
Amélie comes from a noble family that has fallen on hard times, which is how she came to be in a miserable marriage to simple merchant Hans. While her frugal and pragmatic husband spends most of his time in his library or at his raucous merchant’s guild, Amélie grudgingly tends to the domestic chores expected of her—including the servicing of Hans’ carnal needs. Privately, she indulges her obsession with the mechanics of flight by studying the skeletons of flying creatures (an interest Hans equates to witchcraft). Amélie longs to escape the world of men, and she gets a taste when Hans sails for Lisbon on business. Amélie spends months unmolested and creates a simple flying machine. But both the machine and her freedom crash back to earth when Hans eventually returns—with a mistress in tow. “Sahara” is an enslaved Asian woman Hans claims to have saved from a fate as a “mere harlot,” though the reality proves more selfish and savage. As everything the devout and reserved Amélie is not—passionate, hedonistic, self-assured, and satisfied—Sahara initially receives Amélie’s resentment. But Amélie finds her thoughts drifting to Sahara’s voluptuous body and unguarded manner. The two gradually learn from each other and achieve a breakthrough in Amélie’s quest for flight. But the increasingly destitute Hans co-opts their flying machine for his business interests, and the hubris of men threatens to finally suffocate Amélie. Yudori’s tale is as captivating as it is titillating, with her illustrations elegantly depicting everything from complex emotions to the erotic contours of the female form. The plot and characters are engagingly complex, and the pacing deliciously brisk.
A rich, engrossing tale that manages to be both concise and expansive.Pub Date: May 27, 2025
ISBN: 9798875001062
Page Count: 364
Publisher: Fantagraphics Books
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
PERSPECTIVES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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