From a Korean folktale, the story of two frogs who always do the opposite of what their mother tells them. When it's time to wake up, they don't; when it's time to eat duckweed soup, they won't; when it's time to clean up, they make a mess; when it's time to be quiet, they start croaking. Their mother's dying wish is expressed carefully: So that she will be buried on the sunny side of the hill, she purposely asks her sons to bury her in the shade by the stream. Regretful of their past behavior, the sons obey her wish, which is why each time the stream threatens to flood her grave, they sit by the waters and weep. It's also why naughty children in Korea are called ``green frogs.'' Heo (Father's Rubber Shoes?, 1995) provides a gleefully fatalistic retelling, but the writing is surprisingly wooden. The magnificently eccentric illustrations, full of tortured proportions and twisted perspectives, depict three ungainly frogs surrounded by a bizarre variety of bugs, plants, wallpaper patterns, and little squiggles, all in an idiosyncratic palette of grimy green mixed with beige, pink, and blue. (Picture book/folklore. 4-7)
Pub Date: Sept. 1, 1996
ISBN: 0-395-68378-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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