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BETTER, NOT BITTER

LIVING ON PURPOSE IN THE PURSUIT OF RACIAL JUSTICE

Warm, generous, and inspirational: a book for everyone.

One of the wrongly accused and imprisoned Central Park Five recounts his experiences with an unjust system of justice.

Salaam was just 15 when he “was run over by the spiked wheels of justice.” That collision came when he was accused, along with four other teenagers, of raping a young woman in New York’s Central Park and leaving her for dead. Tried as a juvenile, he was sent into adult custody at Rikers Island, “a notoriously violent prison from which many men never returned,” before being shifted in and out of other institutions. In 2002, following a jailhouse confession by the actual attacker, the convictions were overturned. Inside the system, taking a cue from Malcolm X, Salaam accepted the fact that “it’s often incumbent upon the person to educate him- or herself while inside.” He completed high school and earned an associate’s degree, building on his enrollment in the LaGuardia High School of Music and Art when he was only 12. “They have created cages in order to create animals so they’ll have an excuse to create more cages,” writes the author. “But we all have the power to blossom behind those bars.” Sadly, as he notes, whereas he had the support of a loving and attentive mother, many other imprisoned people have no social network. One of the Five, unable to find work and adjust to life outside, returned to prison. Punctuating his prose with memorable images (“Fear was playing Double Dutch with my mind”), Salaam denounces a system of injustice built on the backs of Black people, demonized as born criminals. Remarkably, though Donald Trump himself made his first foray into politics on the backs of the Five, the author mentions him by name just once in a book rich in self-knowledge and compassion. “As the alchemist of your life,” he writes, “you have control over the choices you make on this journey….But no matter what, you can be free.”

Warm, generous, and inspirational: a book for everyone.

Pub Date: May 18, 2021

ISBN: 978-1-5387-0500-1

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: March 8, 2021

Kirkus Reviews Issue: April 1, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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