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THE CURIOSITIES

Winning and wondrous, this picture book is a compelling appreciation of neurodiversity.

A boy learns to embrace his differences and to shed the darkness.

Miro, brown-skinned with dark hair, is surrounded by Curiosities, hazy creatures who show him “how to swim with the stars and tickle the songs from the earth.” Sometimes he sits down and puts his hands over his ears when the Curiosities get too noisy. Strangers stare or turn away, unable to see what makes him tick. With the guidance of an elder, Miro learns that his connections to people like him who “see all the oddments and snippets, all those hidden wonders and possibles waiting in the shadows," are what keep him strong. Affirming and uplifting, this poetic story is based on Fraillon’s experience with her child who has Tourette syndrome. Drawing from Filipino folklore and history, Lesnie depicts the Curiosities as the ghouls and monsters known as aswang, a visualization of what makes people with Tourette syndrome move, while the elder who helps Miro to his feet is based on the Babaylan, priestesses and community leaders connected to the spiritual world who sometimes exhibited neurodiverse traits. Lesnie’s immersive illustrations feature a ravishing palette beautifully depicting the changing colors of the sky and the sweeping landscapes of Miro’s waterfront home. (This book was reviewed digitally.)

Winning and wondrous, this picture book is a compelling appreciation of neurodiversity. (author's note, illustrator's note) (Picture book. 4-8)

Pub Date: June 2, 2022

ISBN: 978-1-77840-008-7

Page Count: 40

Publisher: Greystone Kids

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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