Close your eyes, listen to the music, and experience the joy of family with this buoyant tale.
Readers are encouraged to find the music in everything in this picture-book adaptation of Marley’s exuberant song.
Before reading this book, take a moment to find a YouTube video of Marley and company singing “Music Is in Everything.” Those who try to force this story into standard meter and rhyme will find that the text falls flat. But if readers can find the groove and hear the music in the words, the text becomes a playful read accompanied by illustrations of a multigenerational, multiethnic extended family gathering one Saturday afternoon to make music. Some bring instruments with them, while others create percussion instruments from pots, pans, jars, and, most importantly, hands. The illustration of the family’s large and small clapping hands in a spectrum of skin tones sends a powerful, uplifting message about the universality of music. The words and engaging illustrations alternately send readers out into nature to find and listen to the music of the ocean, the wind, a river, and a beehive and then pull them back to the house, where the family joyously plays instruments, sings, dances, and laughs. Instructions in the backmatter show readers how to make a shaker and join in the musical fun, though no score to the song is included. Children will enjoy listening to this story and creating their own music, complete with handmade instruments. (This book was reviewed digitally.)
Close your eyes, listen to the music, and experience the joy of family with this buoyant tale. (Picture book. 3-8)Pub Date: Oct. 11, 2022
ISBN: 978-1-61775-943-7
Page Count: 24
Publisher: Akashic
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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