Best read in addition to watching the video, this piece represents an important moment in U.S. history.
Mulford’s song about the tragic church shooting in Charleston in 2015 is transformed into a picture book.
The rhyming lyrics are simple, describing how a stranger came to a house of worship and was “let…in,” though “he was not friend, he was not kin.” The stranger “seemed to pray” but then he “drew a gun / and killed nine people, old and young.” On this spread, white text contrasts with an all-black painted background. President Barack Obama’s appearance with the community of mourners is then pictured with the chorus: “no words could say what must be said / for all the living and the dead // So on that day and in that place / the president sang Amazing Grace.” The painted pictures, with tones of blue, black, and purple, move from the church to a montage of clasped hands, a crowd of mourners, various pictures of Obama, and a spread showing each of the nine victims. The song can be found online, and its performance is deeply moving; in the video, the lyrics and paintings are a stunning combination, making this book seem like a great idea. Without the music though, the book lacks the soulfulness of the video, and the unfinished look of the static paintings is not nearly so effective. Endnotes describe each contributor’s relationship to the work (including performer Joan Baez and filmmaker Rick Litvin) and contain a QR code to access the video; endpapers provide sheet music.
Best read in addition to watching the video, this piece represents an important moment in U.S. history. (Picture book. 5-7)Pub Date: Sept. 24, 2019
ISBN: 978-1-944903-84-8
Page Count: 40
Publisher: Cameron + Company
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
An absorbing account of a real-life adventure in a series that showcases historical accomplishments of women.
Rose explores the true story of a race between two accomplished 19th-century women in this children’s book featuring illustrations by Bye.
In 1889, famed reporter Nellie Bly believed that she could circle the globe faster than anyone had before—in less than the 80 days of Jules Verne’s fictional hero. She pitched the story to her boss at the New York World, who, after initial protests, approved her journey. As Bly left New York City, heading east, Cosmopolitan writer Elizabeth Bisland was sent off to the west, with little notice, to race Bly back to the city. In this entry in the She Makes History series, Rose reports the travels of both women in tandem, showing the eastward movement of Bly and the westward travel of Bisland as the reporters encountered successes and setbacks. Rose’s text and Bye’s cartoon-style color images, which accurately and vividly depict the era in detail, allow young readers to get a deeper sense of what living in the late 1800s was like and how travel, by various methods, was very different than it is in the modern day. The extensive text never overwhelms the illustrations, though, and Bye depicts the players in action-oriented poses that propel the story forward. One particularly elegant two-page spread shows the two travelers’ ships literally passing in the night. Rose captures both the wonder of the world as the women experience it as well as the dangers and miseries of their journeys. Her straightforward vocabulary and accessible narration will let young readers immerse themselves in the history. Endnotes offer greater context for the role of women reporters of the era, highlighting the main characters’ tremendous achievements.
An absorbing account of a real-life adventure in a series that showcases historical accomplishments of women. (Informational picture book. 5-7)Pub Date: Oct. 1, 2019
ISBN: 978-0-8075-0010-1
Page Count: 32
Publisher: Whitman
Review Posted Online: Nov. 15, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Review Program: Kirkus Indie
PERSPECTIVES
PERSPECTIVES
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