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BARRACOON

THE STORY OF THE LAST "BLACK CARGO"

We are fortunate to have this late work of Hurston’s, which is sure to be widely read.

A newly discovered work of anthropological and historical reportage by the canonical African-American writer.

Cudjo Lewis (c. 1841-1935), originally named Kossola, was enslaved in America for five years. An Isha Yoruba from the town of Bantè, he arrived in Alabama as the Civil War was stirring. A student of the pioneering ethnologist Franz Boas, Hurston (Every Tongue Got to Confess: Negro Folk-Tales from the Gulf States, 2001, etc.) conducted a series of interviews with Lewis toward the end of his life, in 1927, who, on learning of her interest, said, “Thankee Jesus! Somebody come ast about Cudjo! I want tellee somebody who I is, so maybe day go in de Afficky soil some day and callee my name and somebody say, ‘Yeah, I know Kossola.’ ” The initial manuscript, a scholarly article, fell into disrepute when, in the 1970s, scholars discerned that it borrowed heavily from existing literature. This fuller manuscript derives from Hurston’s original fieldwork, so that there is no question of plagiarism. Editor Plant observes that in the work, Hurston “was engaged in the process of actualizing her vision of herself as a social scientist and an artist who was determined to present Kossola’s story in as authentic a manner as possible.” That authenticity includes rendering his words in patois. While Hurston writes that even though Kossola’s account is not strictly historical, it serves “to emphasize his remarkable memory.” That mark of the griot, or West African traditional storyteller, is evident as Kossola recounts moments of resistance, as when enslaved women rose up against a vicious overseer: “dey all jump on him and lashee him wid it. He doan never try whip Affican women no mo’.” Such episodes, including one in which Kossola tried to convince his former owner to give the manumitted slaves some of the land on which he worked, are historically valuable indeed, while his renderings of biblical stories and West African folktales are of ethnographic interest.

We are fortunate to have this late work of Hurston’s, which is sure to be widely read.

Pub Date: May 8, 2018

ISBN: 978-0-06-274820-1

Page Count: 208

Publisher: Amistad/HarperCollins

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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