by Zora Neale Hurston ; adapted by Ibram X. Kendi ; illustrated by Kah Yangni ‧ RELEASE DATE: March 7, 2023
An old tale is given fresh new life.
Following Magnolia Flower (2022), Kendi retells another work by Hurston, this time a tale of how butterflies were created, from her folktale anthology Mules and Men.
The Creator—a Black, childlike, winged person—stares upon a newly created Earth. Bored, the Creator begins to make flowers and plants, which grow every which way. However, before the Creator’s work is finished, the flowers complain of being lonely. So the Creator grabs their shears and snips pieces off everything—the sky, animals, plants, and more. As the scraps fly through the skies, the Creator calls them “flutter-bys,” but they are misheard, and the people refer to them as butterflies instead. And so we have butterflies, which come in various colors and sizes. Rendered in acrylic paint, pencil, pastel, and Adobe Photoshop, the artwork creates an eye-catching collage of images in every spread. Just as folktales are greatly exaggerated, so are Yangni’s brightly colored butterflies and flowers that flow throughout, similar to the tale’s narration. Kendi expertly distills this word-of-mouth tale for young readers with direct quotes from Hurston’s book and uses the African American vernacular, as Hurston did. His author’s note gives readers the backstory regarding how the tale was told to Hurston. (This book was reviewed digitally.)
An old tale is given fresh new life. (Board book. 3-7)Pub Date: March 7, 2023
ISBN: 978-0-06-311158-5
Page Count: 24
Publisher: Amistad/HarperCollins
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
Our Verdict
GET IT
Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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