A remarkable testament to faith in the face of suffering. Zvi Kolitz is a Lithuanian Jew who left Europe in 1940 for Jerusalem, where he built a life as a daring Zionist freedom fighter. Just over a year after WWII ended, he wrote a gut-wrenching short story, —Yosl Rakover Talks to God,— the last confessions of a fictional Jewish man who died in the Warsaw Ghetto. The story ran in Di Yiddishe Tsaytung, a Jewish paper in Buenos Aires, on September 25, 1946. Later, Kolitz moved to New York, penned a few obscure books, contributed columns to The Jewish Week and Der Algemeine Journal, and lectured at Yeshiva University (you—ll still find him there each Wednesday). His short story, however, got separated from its author. It began to circulate, sans Kolitz’s byline, as a true testimony unearthed in the Holocaust’s aftermath. In 1954, Di Goldene Keyt, a Yiddish quarterly in Tel Aviv, ran —Yosl Rakover— as —an authentic document.— The next year, it was broadcast on a Berlin radio station, and was run in the Parisian Zionist journal La Terre RetrouvÇe. Thomas Mann praised the text for offering a rare glimpse into the human condition. This volume reunites author and story, laying to rest any rumors that the document was written by someone who died in the Warsaw Ghetto. The story could stand alone: Rakover, who boldly privileges Torah over God, declares that despite everything God has done to —make me cease to believe in You . . . I die exactly as I have lived, an unshakeable believer in You.— This new edition also includes an essay by Paul Badde about Kolitz, a piece by Levinas about —Yosl Rakover,— and Leon Weiseltier’s somewhat anticlimactic reply to Levinas. The short story remains a fiction, but, as Levinas reminds us, that does not undermine its truth: Indeed, it is true as —only fiction can be.—
Pub Date: Nov. 5, 1999
ISBN: 0-375-40451-1
Page Count: 112
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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